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Short Story Wednesday: ALFRED HITCHCOCK PRESENTS: STORIES FOR LATE AT NIGHT Robert Arthur, editor (Random House, 1961); and various paperback abridgments (Dell, Pan)

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The degree to which these volumes were Robert Arthur's painless education in the joys of suspense, mystery, horror, fantasy and science fiction would be hard to overestimate, and any time I look upon them it's difficult not to be reminded that these were among the greatest of the "books of gold" writer Gene Wolfe descibes in one of his essays, guideposts into the range of literature available but not always accessible, particularly to young readers who might not have first-rate used bookstores nor large libraries available to them. ...But they might just have a decent-sized public or school library, where the librarians were sensible enough to procure and keep these anthologies on the shelves. Of course, Arthur was kind to his talented friends and old colleagues in the fiction magazines of the 1930s-60s, as well as looking out for #1 (running as he does two of his own stories, one under his Pauline Smith pseudonym--reprinted, as it was, from a magazine he had edited), and there is no lack of chestnuts here--he knew who was likely to be reading these books, young readers (such as myself) or casual ones approaching these fields, or, as the marketing was meant to snare, those who simply enjoyed the television series and hoped for More of Same in prose. Only to be rewarded with a much better selection than even the good choices made for adaptation by producer Joan Harrison and co. And, also to be fair, some of these stories became chestnuts After publication in the various AHP: anthologies...and a few presumably because other editors had them drawn to their attention by Arthur (and his successor in the adult line of Random House anthologies, Harold Q. Masur). And some aren't too well known now, any more than they were then...the Ronan is not the first story one thinks of when one thinks of Unknown: Fantasy Fiction, retitled Unknown Worlds hoping to snag some sf readers as well by the time it published her story. Nor the Long story among Weird Tales reprints, even given he was more a stalwart contributor to that magazine. The Chatterton story being first published in this volume was a rarity in this series--perhaps she was having difficulty placing it elsewhere.

As you glance over the paperback reshuffles of the contents below, you can see how much better the hardcovers were to have--and not solely because the Margaret Miller novel The Iron Garden is missing, presumably because another publisher still had a paperback edition out or at least rights to have one out--often in later volumes, the paperbacks would replace Arthur's novels or long novellas with stories from his YA anthologies from Random House, leading me to wonder if Arthur was given the opportunity to make the reshuffling in the Dell paperbacks himself...or if some functionary at Dell or RH was tasked with this. (Though as noted below, the first edition Dell paperback for the second volume of reprinting Late at Night sports a cover derived from the first RH YA volume in the series, edited by YA specialist Muriel Fuller rather than Arthur, and less successfully than Arthur would approach the same tasks, as a veteran of writing and anthologizing for young readers as well as adults, himself.

The writers this volume would Not have introduced 8- or probably 9yo me to would run only to Arthur himself, Bradbury, Collier, Dahl (running in fine alphabetical sequence--oddly, it seems Arthur was arranging the stories alphabetically by author or pseudonym, except for Millar's novel as last entry as was his custom with the Long Story in his volumes, but for some reason broke his own sequencing with the Moore story), and Bixby and Moore and Jenkins, since I had read their "It's a Good Life--" and "Mimsy were the Borogoves" and "First Contact" in my father's copy of The Science Fiction Hall of Fame, Volume One a few weeks or months before....the others in earlier-discovered kidlit and/or horror anthologies. One thing these anthologies lacked was headnotes for the stories, or similar addenda, so I would, for example, not learn of Robert Trout's work as as a CBS radio and early tv newsman for a couple of decades.
published in the UK under the
Max Reinhardt imprint, 1962




































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