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| William "Anthony Boucher" White and feline. |
In 1945, the old college friends, and associates of Fredric Dannay (Boucher had already sold his translation of Jorge Luis Borges's "The Garden of the Forking Paths" to Ellery Queen's Mystery Magazine, the first publication of Borges in English) began to inquire if Dannay might lend his EQ "name" to a fantasy and horror fiction magazine in the same mode as EQMM; Dannay begged off, but suggested that the men directly contact his publisher, Lawrence Spivak, at Mercury Press, and Dannay would certainly put in the good word for them. Spivak and his publications manager Joseph Ferman were interested, but cautious...Mercury Press was doing OK with American Mercury, the H. L. Mencken-founded magazine of politics and culture, in part because of the association with the NBC radio series Meet the Press Spivak was now producing, though not yet hosting, and better with EQMM, and the Mercury Mystery and Bestseller Mystery lines of books, published in digest-sized magazine format and given essentially magazine-style distribution (even more so than the mass-market paperbacks that Pocket Books and Bantam and their direct competitors were issuing, including those such as Fawcett and Ace who previously had been magazine publishers primarily) were getting by, albeit it was a crowded post-war marketplace in some uncertain economic times. Already publishing in digest format, Donald Wollheim's The Avon Fantasy Reader was Spivak and Ferman's model for how they figured their potential new magazine might do, and reports were mixed there, as well...certainly Weird Tales, which had inspired the Avon title, had been a marginal commercial property for its long run, as well...so the proposed Fantasy and Horror, then Fantasy and Terror, seemed like a bit of a gamble. We read some of the correspondence between Ferman and the prospective editors from the period between 1946 and 1949, and finally the issuance of the first issue of what emerges as The Magazine of Fantasy...and with a slightly expanded title, publishes a second issue (and continues to publish today).
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| Jesse Francis "Mick" McComas |
The book sapiently and engagingly alternates correspondence between the editors and the contributors with examples of their stories for the new magazine, so one gets to see how the new writers introduced by F&SF, such as Richard Matheson, Mildred Clingerman and Zenna Henderson, as well as young lions such as Theodore Sturgeon and his student Ray Bradbury, Alfred Bester and Isaac Asimov and the rapidly evolving Damon Knight and Poul Anderson, and the even newer Chad Oliver and Evelyn Smith, and the relative veterans such as L. Sprague de Camp and Fletcher Pratt, and Manly Wade Wellman, had their work shaped and sharpened, or new directions encouraged, through their interactions with the editors, whose intense discussions and list-making (some examples provided in entries also interspersed here) had served them well in the years of preparation for their new responsibilities. That and the kind of salon that took place particularly in the Boucher/White Berkeley home, where such young locals as Philip K. Dick and Ron Goulart were likely to be found.
The book doesn't include every major contributor to the first issues (Avram Davidson's first story outside the Jewish press, the brilliant "My Boyfriend's Name is Jello", Shirley Jackson's first F&SF story, and several Margaret St. Clair and Fritz Leiber stories are overlooked--for lack of surviving correspondence with the editors?; oddly enough, given they originally planned to buy reprint rights to Robert Bloch story for the first issue, they didn't publish any Bloch fiction nor nonfiction in the first five years of the magazine), but it gives a fair sense of them, and mostly avoids the more obvious choices of short story, if not always (the Knight, his first published story he was satisfied with, and the Sturgeon story from the first issue, don't quite compel themselves as choices, but are more than reasonable ones). A book that goes well beyond the typical best-0f volume or even the fine historical surveys that the Frederik Pohl & co. retrospectives of Galaxy and Ifwere, particularly given its focus on the crucial early years of what has been our most reliably good magazine devoted to fantastic fiction.
And among the questions raised by the early correspondence...supposedly Raymond Chandler had a number of fantasy manuscripts awaiting a market such as F&SF to arrive...one such, eventually having been published in a little magazine, was reprinted in the first issue of Fantastic in 1952, but what might've happened to any others that might've existed outside a casual mention by Chandler or the aspiring editors?
The contents:
- ix • Introduction (The Eureka Years) • essay by Theodore Sturgeon
- xiii • Preface (The Eureka Years) • essay by Annette McComas [as by Annette Peltz McComas]
- 1 • Autobiographies • essay by Anthony Boucher
- 2 • Autobiographies [2] • essay by J. Francis McComas
- 6 • The Birth and Growth • essay by Anthony Boucher and J. Francis McComas and Joseph W. Ferman and Lawrence E. Spivak
- 26 • The Model of a Science Fiction Editor • (1952) • poem by Anthony Boucher
- 29 • Sturgeon-Editors Correspondence • essay by Anthony Boucher and J. Francis McComas and Theodore Sturgeon
- 32 • The Hurkle Is a Happy Beast • (1949) • short story by Theodore Sturgeon
- 41 • Bradbury-Editors Correspondence • essay by Anthony Boucher and J. Francis McComas and Ray Bradbury
- 45 • The Exiles • (1949) • short story by Ray Bradbury
- 60 • Clingerman-Editors Correspondence • essay by Anthony Boucher and Mildred Clingerman
- 62 • Minister Without Portfolio • (1952) • short story by Mildred Clingerman
- 69 • Trends • essay by Anthony Boucher and J. Francis McComas
- 72 • Sorry, But- Rejections and Advice • essay by Anthony Boucher and J. Francis McComas (variant of Sorry, But - Rejections and Advice)
- 83 • de Camp/Pratt-Editors Correspondence • essay by Anthony Boucher and Fletcher Pratt
- 85 • Elephas Frumenti • [Gavagan's Bar] • (1950) • short story by L. Sprague de Camp and Fletcher Pratt
- 91 • Henderson-Editors Correspondence • essay by Anthony Boucher and J. Francis McComas
- 93 • Come On, Wagon! • (1951) • short story by Zenna Henderson
- 102 • Bester-Editors Correspondence • essay by Anthony Boucher and J. Francis McComas and Alfred Bester
- 105 • Of Time and Third Avenue • (1951) • short story by Alfred Bester
- 114 • Matheson-Editors Correspondence • essay by Anthony Boucher and J. Francis McComas and Richard Matheson
- 116 • Dress of White Silk • (1951) • short story by Richard Matheson
- 120 • Epitaph Near Moonport • (1954) • poem by Sherwood Springer
- 122 • The Trade- The Tricks of and the Art of • essay by Anthony Boucher and J. Francis McComas
- 128 • Oliver-Editors Correspondence • essay by Anthony Boucher and Chad Oliver
- 130 • The Boy Next Door • (1951) • short story by Chad Oliver
- 139 • Knight-Editors Correspondence • essay by J. Francis McComas and Damon Knight
- 141 • Not With a Bang • (1950) • short story by Damon Knight
- 147 • Wellman-Editors Correspondence • essay by Anthony Boucher and Manly Wade Wellman
- 150 • O Ugly Bird! • [John the Balladeer] • (1951) • short story by Manly Wade Wellman
- 162 • Skiametric Morphology and Behaviorism of Ganymedeus Sapiens • [Ganymedeus Sapiens] • (1951) • shortfiction by Kenneth R. Deardorf (variant of Skiametric Morphology and Behaviorism of Ganymedeus Sapiens: a Summary of Neoteric Hypotheses)
- 168 • Define Your Terms • essay by Anthony Boucher and J. Francis McComas
- 173 • Letters to the Editor • (1950) • short story by Ron Goulart
- 175 • The Foundation of Science Fiction Success • (1954) • poem by Isaac Asimov (variant of The Foundation of S. F. Success)
- 178 • The Other Inauguration • (1953) • short story by Anthony Boucher
- 192 • Anderson-Editors Correspondence • essay by Anthony Boucher and J. Francis McComas and Poul Anderson
- 194 • When Half-Gods Go • (1953) • short story by Poul Anderson
- 205 • Dick-Editors Correspondence • essay by Philip K. Dick
- 207 • The Little Movement • (1952) • short story by Philip K. Dick
- 216 • The Naming of Names • (1953) • poem by Anthony Boucher [as by Herman W. Mudgett]
- 218 • Lists • essay by Anthony Boucher and J. Francis McComas
- 224 • Smith-Editors Correspondence • essay by J. Francis McComas and Evelyn E. Smith
- 226 • The Last of the Spode • (1953) • short story by Evelyn E. Smith
- 231 • Asimov-Editors Correspondence • essay by Isaac Asimov
- 235 • Flies • (1953) • short story by Isaac Asimov
- 242 • Dickson-Editors Correspondence • essay by Gordon R. Dickson
- 244 • Listen! • (1952) • short story by Gordon R. Dickson (variant of Listen)
- 251 • Porges-Editors Correspondence • essay by Arthur Porges
- 255 • The Devil and Simon Flagg • (1954) • short story by Arthur Porges
- 261 • Limerick • (1951) • poem by Anthony Boucher [as by Herman Mudgett]
- 264 • Predictions • essay by Anthony Boucher
- 268 • Brave New Word • (1954) • short story by J. Francis McComas
- 280 • Norton-Editors Correspondence • essay by Anthony Boucher and Andre Norton
- 282 • Mousetrap • (1954) • short story by Andre Norton
- 289 • Bretnor-Editors Correspondence • essay by J. Francis McComas and Reginald Bretnor
- 292 • Cat • (1953) • short story by Reginald Bretnor [as by R. Bretnor]
- 312 • Recommended Reading • essay by Anthony Boucher and J. Francis McComas
For more of today's books, please see Patti Abbott's blog. Index and photos courtesy ISFDB and Open Library. Below, the first and second issues of F&SF, and the contemporary issues of EQMM and The American Mercury from The Magazine of Fantasy's launch. George Salter was the art director at Mercury Press in those years, and designed the logo for F&SF and TAM.
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